"Eden's Return" is coming slowly, but I'm determined to finish it this month. I can't have another incomplete story after abandoning "Castle LaMagie" and "The Wyvern Riders." In fact, when I'm done, the next job is to finish those two stories as well.
Now that I'm 35K words into the story, I'm realizing I need certain characters to make the story work. Fortunately, I have a squad of 12 soldiers, so I can just adapt a couple of them to the necessary plot points.
Even when I don't do much writing on my walks, I'm figuring out the plot. I think I have a satisfactory ending now. Maybe a little too on point, but there it is. If you're going to write about Eden, you probably can't be too subtle.
I can't seem to suss all this out in advance. Fortunately, this time a least, it's just a matter of insertions to get the job done, instead of rearranging. I've had to completely rewrite the beginnings of both "Shadows Over Summer House" and "Fateplay." It actually was all right in the end, but I'd prefer not to have to do that.
So at least half of the quality of "Eden's Return" is going to have to come from the rewrite. This percentage seems to be varying for each book, anywhere from getting 50% right to 90% right.
I'm going to muddle through on these three stories, but the next time I start a new story, it's back to the old process which worked so well. I experimented with a slower pace and it didn't work.
Now that I'm 35K words into the story, I'm realizing I need certain characters to make the story work. Fortunately, I have a squad of 12 soldiers, so I can just adapt a couple of them to the necessary plot points.
Even when I don't do much writing on my walks, I'm figuring out the plot. I think I have a satisfactory ending now. Maybe a little too on point, but there it is. If you're going to write about Eden, you probably can't be too subtle.
I can't seem to suss all this out in advance. Fortunately, this time a least, it's just a matter of insertions to get the job done, instead of rearranging. I've had to completely rewrite the beginnings of both "Shadows Over Summer House" and "Fateplay." It actually was all right in the end, but I'd prefer not to have to do that.
So at least half of the quality of "Eden's Return" is going to have to come from the rewrite. This percentage seems to be varying for each book, anywhere from getting 50% right to 90% right.
I'm going to muddle through on these three stories, but the next time I start a new story, it's back to the old process which worked so well. I experimented with a slower pace and it didn't work.